傩字的意思

它们与古傩都有着深远的源流关系。

Both of them have deep relations with the "Nuo" dance in ancient times.

贵州傩文化主要表现在傩戏的演出中。

In Guizhou province there exist three types of the Nuo opera in three different regions.

这才是池州傩戏存在的现实社会意义。

Thus the actual social meaning of Chizhou Nuo Opera is shown.

傩是中国古代的一种祭仪。

Nuo is a cult of ancient China.

而傩送宁肯继承一条破船也要与翠翠成婚。

The Tan Song prefer to have inherited a wreck and Tracy married.

巫傩面具显示了傩文化、傩戏的不朽魅力。

The mask of sorcery and Nuo play has shown immortal attraction of Nuo culture and Nuo play.

他想用这些从贵州买回的傩戏面具装饰书房。

He wants to decorate the study with Nuo opera masks bought in Guizhou province.

傩又被称为“仪式性戏剧”，是一种信仰仪式。

But Nuo is not entertaining play, but an "ritual play", as is called by some drama theorist.

随着“咚咚推”响起，两位村民开始表演傩戏。

As Tong Tong Tui sounds, two villagers begin to perform Nuo Opera.

傩送也许永远不会回来了，也许明天就会回来。

Tan Song may never get back, maybe tomorrow will come back.

傩戏是傩文化的载体，面具是傩戏艺术的重要特征。

It is the carrier of Nuo culture, with masks as its major artistic feature.

在广西展区，一系列人物傩面具形态十分逼真、生动。

In the Guangxi exhibition area, there are a series of portrait Nuo masks in a very lively vivid forms.

傩文化是一种古老的文化现象，在黔北农村有着广阔的市场。

As an old cultural phenomenon, Nuo culture in Qianbei has a broad marketing space in the countrysides.

然而此时，当地的团总以新磨坊为陪嫁，想把女儿许配给傩送。

But this time, the local Youth Troupe with a new mill for the dowry, wanted to send his daughter betrothed to exorcise.

中华傩文化源远流长，具有历史、审美和旅游应用的重要价值。

The Luo Culture has a long history in China, and it has the important value of history, aesthetic appreciation and tourism.

他创作的中国话剧结合了中国古代的傩戏、皮影、戏曲和说唱。

When he created a Chinese oral theatre, he adopted elements from ancient masked drama, shadow plays and the dancing, singing and drumming traditions.

第三章对傩堂戏唱腔的主要音乐特点及伴奏器乐部分进行分析和讨论。

In chapter three, the main characteristics of vocal music and instrumental parts were investigated.

傩戏和傩舞是当地众多民族用来祈福消灾、休闲娱乐的重要的艺术形式。

Nuo opera and Nuo dance are important form of blessing and entertainment for local people.

老军人杨马兵热心地前来陪伴翠翠，也以渡船为生，等待着傩送的归来。

Yang Bing old soldiers were eager to come to accompany Tracy; he was live on ferrying, waiting for the return of Tan Song.

这些悠久丰富的傩文化资源为当前傩面具的研究提供了最重要的原始资料。

The rich resources of Nuo culture provide the most important raw materials for the current study of Nuo mask.

湘西傩堂戏源于中原汉族的傩堂戏，曾经历了傩祭傩仪傩舞傩戏的演变历程。

Exorcising opera in western Hunan derived from Han nationality, and evolved from exorcising sacrifice, to exorcising ceremony, to exorcising dance and to exorcising opera.

第一章从凤凰县的人文、地理等角度对傩堂戏的形成的历史渊源做一简要的论述。

Chapter one gives an account of the Fenghuang overview and the origin of the formation of Nuotang opera of Fenghuang from humanities and geography.

文章从原始牧业文化、狩猎文化、巫傩文化和崇拜心理学等方面揭示了其文化内涵。

This paper, starting with primitive stock-rasing, hunting, exorcising and cult, reveals its cultural connotations.

在湖南展区，展出了一系列清代的傩面具。 其中韩王韩信傩面具，让人心生敬畏。

In the Hunan exhibition area, a series of Nuo masks of the Qing dynasty are exhibited.

该文通过案例，探讨了傩与中国传统建筑环境、傩仪与门祭、傩祭相关的建筑诸问题。

By giving some examples, the paper probes into some problems that include Chinese traditional architectural environment and nuo. also the door cult and architecture relating with the cult of nuo.

宋代宫廷的多数礼仪中教坊并不负责核心的工作，但在大傩仪中却扮演了重要的角色。

Seventhly, considering that Jiao-Fang in Song did not play an important role in most of royal court ceremony but Da-Nuo ceremony.

第一章旨在对钟馗形象进行溯源，把不同时期的钟馗形象的演变与傩祭相联系进行阐述。

The paper will elaborate the evolution of ZhongKui figure in different periods, associated with exorcise sacrifice, and come into the theme at this analysis base.

在贵州展区，王灵官、孽龙、土地等傩面具，生动地演绎出民间传说中的系列角色。 。

In the Guizhou exhibition area, Nuo masks of Wang Lingguan, Evil Dragon, God of Earth, etc. vividly interpretes folk roles Nuo masks in a very lively vivid forms.

把传统民间艺术傩舞改编成具有现代气息而又具有传统文化韵味的系列傩操是切实可行的。

It is feasible to (adapt) the traditional folk art of the exorcising dance into a series of exorcising exercise which possesses modern and traditional cultural meaning.

把传统民间艺术傩舞改编成具有现代气息而又具有传统文化韵味的系列傩操是切实可行的。

It is feasible to (adapt) the traditional folk art of the exorcising dance into a series of exorcising exercise which possesses modern and traditional cultural meaning.