砙
1、大砖。
一个戏剧砙靶枰桓稣习?除非是单纯的连接或说明性的情况。
A theatrical scene requires an obstacle unless it is a pure connective or expository situation.
他承认,在品牌建设,与那些拥有数十年消费者认知和市砙榈耐夤放葡啾?比亚迪还有很长一段路要走。
He acknowledges BYDhasa long way to go in building brand tocompete with foreign ones with decades of consumer awareness and marketing experience.
如果一开始我们就对诗歌的创作有一种不友善的印象,那么我们就会对诗人有一种印象,就好像他正在参加一砙喝。
We have a strained image of the composition of the poem at its very outset and we have an image of someone writing as if he were participating in a race.
现在让我们跳到231,232页,这是纳博科夫提到的,对于他有特殊意义的一段,它描述了洛丽塔打网球的砙?。
Now, I want to look at page 231,232. This is one of those passages that Nabokov points out as being special to him. This is Lolita playing tennis.
现在让我们跳到231,232页,这是纳博科夫提到的,对于他有特殊意义的一段,它描述了洛丽塔打网球的砙?。
Now, I want to look at page 231,232. This is one of those passages that Nabokov points out as being special to him. This is Lolita playing tennis.